‘Myth of the Digital’ unsettles the long-held separation between ‘digital art’ and contemporary art history, proposing that the practices of both genres are not parallel but profoundly entangled, extending from modern and postmodern image-making.

Curated by Ulrich Schrauth and Nadine Khalil

‘After the Technological Sublime’ expands the traditional notion of the sublime to consider it in the context of human-made technological marvels.

Curated by Gonzalo Herrero Delicado.

“Expansion / Diffusion” explored the intersection of new media art and technologies in order to expand our understanding of contemporary culture.

Curated by Auronda Scalera and Alfredo Cramerotti.

The second edition showcased participants with innovative new media programmes, including a range of digital platforms building virtual art spaces alongside art collectives and more traditional bricks and mortar galleries.

Curated by Clara Che Wei Peh.

The first edition represented a broad geographic base of traditional gallery models, digitally native platforms and collectives, with presentations by some of the most innovative artists working in the digital space.

Curated by Chris Fussner.